Mural Project at Akasia Street Denpasar Bali 2003 This is a collaborate project between Klinik Seni Taxu community (before separate) Pojok community, Ari Dianto (Jogjakarta) and Rogo 23 from San Diego US.
Thursday, October 1, 2009
Friday, September 25, 2009
FaceBook Poetry
my performance art at Kuta Carnival 24 September 2009.face book Poetry is a mixed media performance using music/sounds, visual/video and poetry, the poetry I made by or the words I use I collected from my friends status at face book profile I mixed it, collected the same theme and made it as a poetry, so why I titled it Face Book Poetry.
Sunday, September 6, 2009
Pecha Kucha Night#2
visual art and music presentationsMy visual art and music presentation at Pecha Kucha Night#2 at Sanur Village Festival August 13 2009 titled Upeti Untuk Macan Asia.
my presentation idea are about I try to visualize all the geekssmile new album lyric and songs, where me as a guitarist in this Bali rapcore underground band. as a visual artist I use many kind of medium expressions, underground music is one of them.
Friday, September 4, 2009
Eclectic sounds performance
Performance on my solo exhibition October 2008 at Sika Gallery in Ubud BaliEclectic sounds performance are a sounds from many kind of musics genre I mixed it and at the opening I install with laptop through an active sound out, after that I response it by my guitar to the pedals board out through amplifier and created a “new” mixed out music.
Thursday, August 20, 2009
T.S.P Repainted Object Series
200 cm x 150 cm, acrylic on canvas, 2009The main picture is from my kinetic art object titled The Sounds Of Penggorengan 2008, the image I processed it trough photo-shop applications to get the threshold effect.
The Sounds Of Penggorengan main idea is try to criticize the unhealthy
M.I.C Repainted Object Series
200 cm x 150 cm, acrylic on canvas, 2009Made in China product as an object for this painting, I try to criticize the “attack” of the made in China products to our market and mosh of the products are so dangerous to our health because content lot of chemical matter.
It seem to our art world too, the visual "attack" from the China Avant-garde make most of Indonesian artists "follow" Chinese visual arts trend in making their arts. it's a fact for the visual art development or will be a back-down of the Indonesian art world? time will tell.
Pink Background Human Flu Virus
Pink Background Human Flu Virus, 60x50cm, acrylic on canvas, 2009The newest Virus painting series I have been done this month, please enjoy it.
Pink Background Human Flu Virus
Pink Background Human Flu Virus, 60x50cm, acrylic on canvas, 2009The newest Virus painting series I have been done this month, please enjoy it.
Friday, July 24, 2009
History of Bali
History of Bali
The first evidences of human appearance in Bali date back to the Stone Age, tens of thousands years ago, with the founding of few artifacts that are believed to be reminiscent of small bands of hunter-gatherers. These prehistoric bands lived and foraged in Bali’s jungle and scavenged the tidal pools of the island. Many Paleolithic implements have been found near Sembiran in northen Bali, and there is also evidence in the form of rectangular stone adzes, axes, blades, hoes and picks used by a Neolithic people of Bali.
The most spectacular remains of Neolithic civilization in Bali are remain of Neolithic settlement and a burial site of 100 mongoloid adults and children which were found in Cekik, south of Gilimanuk, West Bali. These are the mortal remains of coastal people who swam the strait and walked across to Bali via land bridge from East Java to Bali in their migration east through the islands from Indochina. Bali was already well populated by the time of Bronze Age began around 300 B.C.
The remains of Bronze Age include clay utensils, stone mounds and bells shaped like two bowls. The people who used these items buried their dead in pottery jars or stone sarcophagi, complete with such funeral gifts as arm and foot rings, beads, highly polished stone tools, bronze and iron implements. The metal objects of Bronze Age are deeply related to the Dongson culture of Indochina. The magnum opus of this civilization is the moon of Pejeng, a glass-shaped-kettle drum made of bronze which is one of the most remarkable archeological artifacts discovered in Bali.
By the Broze Age, Bali population already practiced both wet-and dry-rice cultivation, worked the fields with stone tools and water buffalo, raised pigs and poultry, and developed a sophisticated megalithic culture which made use of menhirs, stone chairs, and stepped pyramids.
The prehistoric period came to an end when Bali established early contact with far more advanced culture of India and China, the leading powers in Far Eastern trade during first centuries A.D. the evidences of this contacts are the Bali Yatra Festival which is celebrated in Kalingga, India, to commemorate the voyage of India’s Hindu priests to Bali and the Chinese annals of the 5th and 6th centuries mentioned a Hinduized state called P’o Li which might have referred to Bali. The remnants of contacts with India can be seen today on the remains of hermitages and monasteries at Gunung Kawi and Goa Gajah, both in Gianyar. Balinese script is derived from the Palava script of South India.
The Indic influences had a significant influence on Bali but they did not come directly from India but through Java. This created a unique Indic-Javanese influence on the history of Bali. The first recorded significant evidence of Indic-Javanese influence was the establishment of the first kingdom in Bali. Singamandawa was the first kingdom in Bali which drew its line from Sanjaya dynasty in Java, established in the area around Mount Batur. Another kingdom with quite similar was Singadwala, which was situated near Besakih with its powerful king Sri Kesari Warmadewa which conquered the former kingdom in 966 A.D.
Sri Kesari Warmadewa was considered to be founder of the Warmadewa dynasty which ruled Bali for more than 350 years. The most well known ruler from this dynasty was the King Udayana Warmadewa who married the great-granddaughter of the king of East Java. Her name, Gunapriya Dharmapatni comes before that of her husband in documents. This may be because she had a higher status than him and may have been more powerful, she.brought about a Javanization of the Balinese court. After 989 AD royal decrees were written in Old Javanese. It is thought that she introduced Tantric rites and sorcery to Bali, beliefs which are still evident in witches and witchcraft.
Udayana had two sons, Erlangga (sometimes spelt Airlangga) and Anak Wungsu inherited the right to rule. Airlangga was sent to Java and worked for his grandfather in East Java. He succeeded in uniting East Java, ruling it from 1037 to 1049, while Anak Wungsu ruled Bali. The last king of this dynasty was King Adidewa Lancana who was conquered by King Kertanegara from the Kingdom of Singasari in East Java in 1286. Kertanegara was murdered in 1292 and Bali was independent again for another 50 years.
The fall of Singosari Empire after Kertanegara assaination was followed by the rise of the new dynasty of Majapahit. Gajah Mada, the grand vizier of majapahit was sent to Bali in 1343 to subjugate the King Astasura Ratna Bumi Banten of Balinese Pejeng Dynasty. after Gajah Mada conquered Bali, a young Brahman nobleman, Sri Aji Kresna Kepakisan was appointed King of Bali and a colony of Javanese settlers was dispatched. He founded a dynasty that would last until the 20th century. Kepakisan was born a Brahman, but had to change his status to a Satria, in order to rule. It is noteworthy that caste can be changed. He had the full support of Javanese administrators, who were located strategically throughout the island. Kapakisan subdued most of Bali but there were a few areas that were difficult. He asked Gajah Mada for help. He sent his powerful, magical kris, Ki Lobar, and at the sight of it, the last two areas of opposition, Pejeng and Bedulu, were defeated.
When Sri Aji Kresna Kapakisan died, his eldest son became the king, but he was weak and was replaced by his younger brother, I Dewa Ketut Tegal Besung, who moved the court to Gelgel, near Klungkung, on the southeast coast in 1383 and founded the Gelgel dynasty. Gelgel became an artistic centre. He died in 1460 and was succeeded by his son, Waturenggong, and the court flourished.
Over in Java, in the late 15th century, disputes sparked off civil wars and the Majapahit Empire was declining. Islam had entered through Sumatra in the 13th century and at the beginning of the 16th century was making headway in the coasts of Java. They pressed inland and dealt the Empire a fatal blow between 1515 and 1528. The aristocracy, priests, jurists, artists, artisans and those unwilling to be islamised moved to the easternmost parts of Java and Bali. The descendants of the former vassal Balinese kings stayed in power and eased the process.
King Waturenggong succeeded in integrating the aristocracy and the people. The empire extended beyond Bali to include parts of East Java, Lombok and Sumbawa and there was peace and prosperity.
Government, caste and religion were reformed under King Waturenggong’s priestly teacher and poet, Nirartha, who came from East Bali in 1537. He travelled throughout Bali and went to Lombok and Sumbawa and established many temples. He concentrated on rituals connected with death, soul purification, weddings, pregnancy, birth and maturity and is responsible for the supremacy of the Siwa cult and the Brahman priests. Nirartha is regarded as the father of all Brahmans.
With King Waturenggong’s death around 1558, the Golden Age went into rapid decline. There were tremendous rivalries, much scheming and inevitable decay. This state of affairs continued for about 100 years until eventually a new king, Dewa Agung Jambe came to power.
Gelgel seemed to have lost its power and was polluted spiritually, so the capital was moved to neighbouring Klungkung. The Gelgel period is therefore roughly 1400 - 1700 and the time of its dissolution was about the same time that the Dutch were becoming solidly established in the rest of the country.
Dewa Agung Jambe became the first king of Klungkung in 1686 and was known as Dewa Agung, a title inherited since then by all kings of Klungkung. For the next 200 years the Dewa Agung was the nominal, supreme king of Bali.
Allegiances were withdrawn from Gelgel and a number of tiny autonomous states grew up, ruled by powerful aristocrats, who claimed to be descendants of the nobles who accompanied Kapakisan from Java in 1343. They ruled as kings or princes. In the end Bali became nine small kingdoms: Karangasem, Badung, Mengwi, Gianyar, Tabanan, Buleleng, Bangli, Negara and Klungkung. Yet they all regarded Klungkung as the highest spiritual authority. These nine small kingdoms were constantly at war throughout 18th and 19th centuries and ended only when various kingdoms were forced to integrate into Netherlands East Indies in the early 20th century in bloody suicidal battles of Puputan.
In contrast to the violent and bloody campaigns to subdue the island, the Dutch colonial administration after Bali conquest can only be described as benign, even enlightened. Governance of the island was reorganized along the same hierarchical lines employed by the kings. In 1929, the former kingdoms of Bali were restored to their hereditary ruler as self governing territories in a grandiose ceremony at Besakih.
On 10 January Japanese invaded Dutch East Indies, Denpasar airfield was taken on 20 February, cutting communications with Australia and Indies. During the ensuing three years of Japanese occupation, while the rest of eastern islands were subject of oppressive arrogant control of Javanese Navy, the occupier’s treatment of Balinese was comparatively indulgent, Bali’s population suffered critical food and medical supply shortages, while the island’s transport system was almost totally disrupted.
On 17 August 1945, 11 days after the atomic bomb was dropped on Hiroshima, Sukarno proclaimed Indonesia independence in Jakarta. Balinese militants moved to seize weapons from the Japanese. The subsequent war of independence against Dutch lasted for more than four years. After the Dutch left the Indonesian archipelago Bali become part of Indonesia.
Following the exit of Dutch came constant bickering between the military, secessionists, communists, conservatives, and religious fanatics. The new country experimented with a democratic constitution; cabinets turned over every six months. To stop the chaos, the President Soekarno declared in 1959 his policy of “Guided Democracy,” involving the creation of national Council made up of members handpicked by himself. He declared the age-old Indonesian tradition of Mufakat, or decision through consensus, would best suit Indonesia as a method of decision-making. Political parties and legislative bodies were abolished. On Bali, the old power arrangements continued, with the various principalities converted into kabupaten and the rajas or members of their families assuming the office of mayor.
In the waning days of Soekarno’s reign, conflict increased between the high caste capitalist class and communists pursuing more militant role in land reform and harvest-sharing policies. Bali’s governor, Anak Agung Bagus Suteja, increased the participation of the Indonesian Communist Party (PKI) and other leftist in the island’s administration and administrative bodies. The PKI’s aggressive policy toward land reform understandably had tremendous appeal to landless peasants and poor tenant farmers. Land was seized unilaterally from which the landowners; landlord-employed thugs destroyed sharecroppers’ crops and razed their huts, government offices were burned, scuffles, and armed attacks broke out, religious ceremonies were disrupted. A full-scale civil war, drawn along class lines, was underway.
A serious of ominous natural catastrophes also weighed in: rat and mouse plagues, insect infestation, crop failures, and finally, the violent eruption of Gunung Agung in 1963. the mountain exploded during the holiest of Balinese ceremonies, Eka Dasa Rudra, a purification rite in which harmony and balance in people and nature are restored in all 11 directions. The ceremony, held only once every 100 years, was precipitously held some 10 years early at the behest of Sukarno, apparently to impress a convention of travel agents. Midway through opulent proceedings, Gunung Agung began to shower the whole area with ash and smoke, finally exploding in its violent eruption in 600 years. Earthquake toppled temples, hot ash ignited thatched roofs, volcanic debris rained upon the earth. As the molten lava moved toward them, Hindu priests prayed frantically, hoping to appease the angry gods, assuring the worshippers they had nothing to fear. In the end, 1600 Balinese were killed, 86,000 left homeless, and 100,000 hectares removed from production. A layer of hot choking dust lay over the whole island for a week, covering fields, houses, and streets. One-quarter of Bali was turned into black lava dessert.
Catastrophes, failure of crops, the uprooting of many villages, and forced evacuation of masses of people contributed substantially to the communal clashes and massacre of tens of thousands of Balinese during the purge of Indonesian communist in 1965 and 1966. Internal refugees poured into Denpasar and Singaraja where, together with large numbers of unemployed urban poor formed a restive, disaffected underclass ripe for mobilization by communist mass organizations.
Finally, all hell broke loose. On the night of 30 September 1965, six high ranking army leaders were kidnapped, tortured, and killed in Jakarta attempted coup d’etat, suppressed skillfully within days by a little known general named Soeharto, led directly to an archipelago bloodbath.
The Indonesian Communist Party was immediately banned, and Soekarno was forced to delegate wide powers to Soeharto. Mass arrests followed. On 8 october fanatical Muslim youths attacked and burned the communist party headquarters in Jakarta, initiating a bloody wave of anti-communist reprisals that rolled over Java and Bali, leaving whole villages devastated and in many cases obliterated. The killings on Bali started in earnest in December 1965 and soon began to take on dimensions of mass purgation, an “essential” exorcism of the island. Devout Balinese murdered godless communists whom they believed mocked their religion and threatened their pious way of life. In the witch hunt for “communists” old scores were settled and many noncommunists wiped out. Wealthy businessmen took advantage of the chaos to murder their Chinese or Balinese competitors
On Java the people had to be egged on to kill the communists; on Bali they had to be restrained. The “trance of killings” reached a fever pitch in 1966, whe whole group of Balinese were rounded up and slashed, clubbed, and chopped to death by communal consent. The purge in Bali became so indiscriminate commandos finally had to step in to store order. From then on the killing was coordinated by the military and police, working with civilian authorities to make sure only the “right” people were executed. Of the two millions populations more than 50,000 people were killed.
Soeharto’s pro-Western “New Order” ushered in a long period of relative stability and rampant capitalist development. On Bali, economic growth has been achieved by huge expansion in the tourist industry, which has transformed the southern part of the island. While there have been dramatic improvements in infrastructure – roads, telecommunications, electricity, and water supply; the downside has been displacement of local populations and disruption of many traditional communities.
The fall of Soeharto began in early 1997, South-East Asia began to suffer a severe economic crisis. A year later 76-year-old Soeharto was re-elected unopposed into a seventh five-year presidential term, much to anguish of Anti-Soeharto and pro-democracy activist. Soeharto then appointed his protégé, the 61-year-old Habibie, as vice president.
To help deal with the continuing crisis, Soeharto grudgingly agreed in May 1998 to International Monetary Fund’s demand to increase the government-subsidized price of electricity and petrol, resulting the in immediate increases in the cost of most public transport. The price of rice and other food staples also increased and the Indonesian-Chinese community, which owns many shops, bore the brunt of riots which broke out across Java, Sumatra, and Kalimantan. Many students were killed during clashes with police, causing a seemingly unstoppable momentum of protests and looting across Java but none of the strife spilled over to Bali, although ferries from Java were temporarily cancelled by officials to ensure that Javanese protesters did not start troubles on Bali.
Soeharto resigned on 21 May 1998 after 32 years in power, and handed the presidency to Habibie. Habibie soon made a few encouraging moves, such as releasing political prisoners and arranging a democratic election. Abdurahman Wahid was elected as president, but his presidency did not last long, he was replaced by Megawati, daughter of Soekarno. In 2004 Susilo Bambang Yudhoyono was elected as President of Indonesia.
But the darkest moment of Bali was happen in 2002, The 2002 Bali bombing occurred on October 12, 2002 in the tourist district of Kuta on the Indonesian island of Bali. The attack was the deadliest act of terrorisms in the history of Indonesia, killing 202 people, 164 of whom were foreign nationals (including 88 Australians), and 38 Indonesian citizens. A further 209 were injured.
The attack involved the detonation of three bombs: a backpack-mounted device carried by a suicide bomber; a large car bomb, both of which were detonated in or near popular nightclubs in Kuta; and a third much smaller device detonated outside the United States consulate in Denpasar, causing only minor damage.
Various members of Jemaah Islamiyah, a violent Islamist group, were convicted in relation to the bombings, including three individuals who were sentenced to death. Abu Bakar Bashir, the alleged spiritual leader of Jemaah Islamiyah, was found guilty of conspiracy, and sentenced to two and a half years imprisonment. Ridwan Isamuddin, generally known as Hambali and the suspected former operational leader of Jemaah Islamiyah, is in U.S. custody in an undisclosed location, and has not been charged in relation to the bombing or any other crime.
In 2005, another tragedy occurred; three bomb attacks hit three restaurants - two in the Jimbaran beach resort, the third in Kuta 30 km (19 miles) away. The blasts killed 26 people - among them foreign nationals and injured 50 others. Jemaah Islamiyah was responsible for this attack.
Though two tragedies hit Bali, Balinese remain calm and work hard to build up Bali one more time.
by Sidarta Wijaya, 8 November 2007
The first evidences of human appearance in Bali date back to the Stone Age, tens of thousands years ago, with the founding of few artifacts that are believed to be reminiscent of small bands of hunter-gatherers. These prehistoric bands lived and foraged in Bali’s jungle and scavenged the tidal pools of the island. Many Paleolithic implements have been found near Sembiran in northen Bali, and there is also evidence in the form of rectangular stone adzes, axes, blades, hoes and picks used by a Neolithic people of Bali.
The most spectacular remains of Neolithic civilization in Bali are remain of Neolithic settlement and a burial site of 100 mongoloid adults and children which were found in Cekik, south of Gilimanuk, West Bali. These are the mortal remains of coastal people who swam the strait and walked across to Bali via land bridge from East Java to Bali in their migration east through the islands from Indochina. Bali was already well populated by the time of Bronze Age began around 300 B.C.
The remains of Bronze Age include clay utensils, stone mounds and bells shaped like two bowls. The people who used these items buried their dead in pottery jars or stone sarcophagi, complete with such funeral gifts as arm and foot rings, beads, highly polished stone tools, bronze and iron implements. The metal objects of Bronze Age are deeply related to the Dongson culture of Indochina. The magnum opus of this civilization is the moon of Pejeng, a glass-shaped-kettle drum made of bronze which is one of the most remarkable archeological artifacts discovered in Bali.
By the Broze Age, Bali population already practiced both wet-and dry-rice cultivation, worked the fields with stone tools and water buffalo, raised pigs and poultry, and developed a sophisticated megalithic culture which made use of menhirs, stone chairs, and stepped pyramids.
The prehistoric period came to an end when Bali established early contact with far more advanced culture of India and China, the leading powers in Far Eastern trade during first centuries A.D. the evidences of this contacts are the Bali Yatra Festival which is celebrated in Kalingga, India, to commemorate the voyage of India’s Hindu priests to Bali and the Chinese annals of the 5th and 6th centuries mentioned a Hinduized state called P’o Li which might have referred to Bali. The remnants of contacts with India can be seen today on the remains of hermitages and monasteries at Gunung Kawi and Goa Gajah, both in Gianyar. Balinese script is derived from the Palava script of South India.
The Indic influences had a significant influence on Bali but they did not come directly from India but through Java. This created a unique Indic-Javanese influence on the history of Bali. The first recorded significant evidence of Indic-Javanese influence was the establishment of the first kingdom in Bali. Singamandawa was the first kingdom in Bali which drew its line from Sanjaya dynasty in Java, established in the area around Mount Batur. Another kingdom with quite similar was Singadwala, which was situated near Besakih with its powerful king Sri Kesari Warmadewa which conquered the former kingdom in 966 A.D.
Sri Kesari Warmadewa was considered to be founder of the Warmadewa dynasty which ruled Bali for more than 350 years. The most well known ruler from this dynasty was the King Udayana Warmadewa who married the great-granddaughter of the king of East Java. Her name, Gunapriya Dharmapatni comes before that of her husband in documents. This may be because she had a higher status than him and may have been more powerful, she.brought about a Javanization of the Balinese court. After 989 AD royal decrees were written in Old Javanese. It is thought that she introduced Tantric rites and sorcery to Bali, beliefs which are still evident in witches and witchcraft.
Udayana had two sons, Erlangga (sometimes spelt Airlangga) and Anak Wungsu inherited the right to rule. Airlangga was sent to Java and worked for his grandfather in East Java. He succeeded in uniting East Java, ruling it from 1037 to 1049, while Anak Wungsu ruled Bali. The last king of this dynasty was King Adidewa Lancana who was conquered by King Kertanegara from the Kingdom of Singasari in East Java in 1286. Kertanegara was murdered in 1292 and Bali was independent again for another 50 years.
The fall of Singosari Empire after Kertanegara assaination was followed by the rise of the new dynasty of Majapahit. Gajah Mada, the grand vizier of majapahit was sent to Bali in 1343 to subjugate the King Astasura Ratna Bumi Banten of Balinese Pejeng Dynasty. after Gajah Mada conquered Bali, a young Brahman nobleman, Sri Aji Kresna Kepakisan was appointed King of Bali and a colony of Javanese settlers was dispatched. He founded a dynasty that would last until the 20th century. Kepakisan was born a Brahman, but had to change his status to a Satria, in order to rule. It is noteworthy that caste can be changed. He had the full support of Javanese administrators, who were located strategically throughout the island. Kapakisan subdued most of Bali but there were a few areas that were difficult. He asked Gajah Mada for help. He sent his powerful, magical kris, Ki Lobar, and at the sight of it, the last two areas of opposition, Pejeng and Bedulu, were defeated.
When Sri Aji Kresna Kapakisan died, his eldest son became the king, but he was weak and was replaced by his younger brother, I Dewa Ketut Tegal Besung, who moved the court to Gelgel, near Klungkung, on the southeast coast in 1383 and founded the Gelgel dynasty. Gelgel became an artistic centre. He died in 1460 and was succeeded by his son, Waturenggong, and the court flourished.
Over in Java, in the late 15th century, disputes sparked off civil wars and the Majapahit Empire was declining. Islam had entered through Sumatra in the 13th century and at the beginning of the 16th century was making headway in the coasts of Java. They pressed inland and dealt the Empire a fatal blow between 1515 and 1528. The aristocracy, priests, jurists, artists, artisans and those unwilling to be islamised moved to the easternmost parts of Java and Bali. The descendants of the former vassal Balinese kings stayed in power and eased the process.
King Waturenggong succeeded in integrating the aristocracy and the people. The empire extended beyond Bali to include parts of East Java, Lombok and Sumbawa and there was peace and prosperity.
Government, caste and religion were reformed under King Waturenggong’s priestly teacher and poet, Nirartha, who came from East Bali in 1537. He travelled throughout Bali and went to Lombok and Sumbawa and established many temples. He concentrated on rituals connected with death, soul purification, weddings, pregnancy, birth and maturity and is responsible for the supremacy of the Siwa cult and the Brahman priests. Nirartha is regarded as the father of all Brahmans.
With King Waturenggong’s death around 1558, the Golden Age went into rapid decline. There were tremendous rivalries, much scheming and inevitable decay. This state of affairs continued for about 100 years until eventually a new king, Dewa Agung Jambe came to power.
Gelgel seemed to have lost its power and was polluted spiritually, so the capital was moved to neighbouring Klungkung. The Gelgel period is therefore roughly 1400 - 1700 and the time of its dissolution was about the same time that the Dutch were becoming solidly established in the rest of the country.
Dewa Agung Jambe became the first king of Klungkung in 1686 and was known as Dewa Agung, a title inherited since then by all kings of Klungkung. For the next 200 years the Dewa Agung was the nominal, supreme king of Bali.
Allegiances were withdrawn from Gelgel and a number of tiny autonomous states grew up, ruled by powerful aristocrats, who claimed to be descendants of the nobles who accompanied Kapakisan from Java in 1343. They ruled as kings or princes. In the end Bali became nine small kingdoms: Karangasem, Badung, Mengwi, Gianyar, Tabanan, Buleleng, Bangli, Negara and Klungkung. Yet they all regarded Klungkung as the highest spiritual authority. These nine small kingdoms were constantly at war throughout 18th and 19th centuries and ended only when various kingdoms were forced to integrate into Netherlands East Indies in the early 20th century in bloody suicidal battles of Puputan.
In contrast to the violent and bloody campaigns to subdue the island, the Dutch colonial administration after Bali conquest can only be described as benign, even enlightened. Governance of the island was reorganized along the same hierarchical lines employed by the kings. In 1929, the former kingdoms of Bali were restored to their hereditary ruler as self governing territories in a grandiose ceremony at Besakih.
On 10 January Japanese invaded Dutch East Indies, Denpasar airfield was taken on 20 February, cutting communications with Australia and Indies. During the ensuing three years of Japanese occupation, while the rest of eastern islands were subject of oppressive arrogant control of Javanese Navy, the occupier’s treatment of Balinese was comparatively indulgent, Bali’s population suffered critical food and medical supply shortages, while the island’s transport system was almost totally disrupted.
On 17 August 1945, 11 days after the atomic bomb was dropped on Hiroshima, Sukarno proclaimed Indonesia independence in Jakarta. Balinese militants moved to seize weapons from the Japanese. The subsequent war of independence against Dutch lasted for more than four years. After the Dutch left the Indonesian archipelago Bali become part of Indonesia.
Following the exit of Dutch came constant bickering between the military, secessionists, communists, conservatives, and religious fanatics. The new country experimented with a democratic constitution; cabinets turned over every six months. To stop the chaos, the President Soekarno declared in 1959 his policy of “Guided Democracy,” involving the creation of national Council made up of members handpicked by himself. He declared the age-old Indonesian tradition of Mufakat, or decision through consensus, would best suit Indonesia as a method of decision-making. Political parties and legislative bodies were abolished. On Bali, the old power arrangements continued, with the various principalities converted into kabupaten and the rajas or members of their families assuming the office of mayor.
In the waning days of Soekarno’s reign, conflict increased between the high caste capitalist class and communists pursuing more militant role in land reform and harvest-sharing policies. Bali’s governor, Anak Agung Bagus Suteja, increased the participation of the Indonesian Communist Party (PKI) and other leftist in the island’s administration and administrative bodies. The PKI’s aggressive policy toward land reform understandably had tremendous appeal to landless peasants and poor tenant farmers. Land was seized unilaterally from which the landowners; landlord-employed thugs destroyed sharecroppers’ crops and razed their huts, government offices were burned, scuffles, and armed attacks broke out, religious ceremonies were disrupted. A full-scale civil war, drawn along class lines, was underway.
A serious of ominous natural catastrophes also weighed in: rat and mouse plagues, insect infestation, crop failures, and finally, the violent eruption of Gunung Agung in 1963. the mountain exploded during the holiest of Balinese ceremonies, Eka Dasa Rudra, a purification rite in which harmony and balance in people and nature are restored in all 11 directions. The ceremony, held only once every 100 years, was precipitously held some 10 years early at the behest of Sukarno, apparently to impress a convention of travel agents. Midway through opulent proceedings, Gunung Agung began to shower the whole area with ash and smoke, finally exploding in its violent eruption in 600 years. Earthquake toppled temples, hot ash ignited thatched roofs, volcanic debris rained upon the earth. As the molten lava moved toward them, Hindu priests prayed frantically, hoping to appease the angry gods, assuring the worshippers they had nothing to fear. In the end, 1600 Balinese were killed, 86,000 left homeless, and 100,000 hectares removed from production. A layer of hot choking dust lay over the whole island for a week, covering fields, houses, and streets. One-quarter of Bali was turned into black lava dessert.
Catastrophes, failure of crops, the uprooting of many villages, and forced evacuation of masses of people contributed substantially to the communal clashes and massacre of tens of thousands of Balinese during the purge of Indonesian communist in 1965 and 1966. Internal refugees poured into Denpasar and Singaraja where, together with large numbers of unemployed urban poor formed a restive, disaffected underclass ripe for mobilization by communist mass organizations.
Finally, all hell broke loose. On the night of 30 September 1965, six high ranking army leaders were kidnapped, tortured, and killed in Jakarta attempted coup d’etat, suppressed skillfully within days by a little known general named Soeharto, led directly to an archipelago bloodbath.
The Indonesian Communist Party was immediately banned, and Soekarno was forced to delegate wide powers to Soeharto. Mass arrests followed. On 8 october fanatical Muslim youths attacked and burned the communist party headquarters in Jakarta, initiating a bloody wave of anti-communist reprisals that rolled over Java and Bali, leaving whole villages devastated and in many cases obliterated. The killings on Bali started in earnest in December 1965 and soon began to take on dimensions of mass purgation, an “essential” exorcism of the island. Devout Balinese murdered godless communists whom they believed mocked their religion and threatened their pious way of life. In the witch hunt for “communists” old scores were settled and many noncommunists wiped out. Wealthy businessmen took advantage of the chaos to murder their Chinese or Balinese competitors
On Java the people had to be egged on to kill the communists; on Bali they had to be restrained. The “trance of killings” reached a fever pitch in 1966, whe whole group of Balinese were rounded up and slashed, clubbed, and chopped to death by communal consent. The purge in Bali became so indiscriminate commandos finally had to step in to store order. From then on the killing was coordinated by the military and police, working with civilian authorities to make sure only the “right” people were executed. Of the two millions populations more than 50,000 people were killed.
Soeharto’s pro-Western “New Order” ushered in a long period of relative stability and rampant capitalist development. On Bali, economic growth has been achieved by huge expansion in the tourist industry, which has transformed the southern part of the island. While there have been dramatic improvements in infrastructure – roads, telecommunications, electricity, and water supply; the downside has been displacement of local populations and disruption of many traditional communities.
The fall of Soeharto began in early 1997, South-East Asia began to suffer a severe economic crisis. A year later 76-year-old Soeharto was re-elected unopposed into a seventh five-year presidential term, much to anguish of Anti-Soeharto and pro-democracy activist. Soeharto then appointed his protégé, the 61-year-old Habibie, as vice president.
To help deal with the continuing crisis, Soeharto grudgingly agreed in May 1998 to International Monetary Fund’s demand to increase the government-subsidized price of electricity and petrol, resulting the in immediate increases in the cost of most public transport. The price of rice and other food staples also increased and the Indonesian-Chinese community, which owns many shops, bore the brunt of riots which broke out across Java, Sumatra, and Kalimantan. Many students were killed during clashes with police, causing a seemingly unstoppable momentum of protests and looting across Java but none of the strife spilled over to Bali, although ferries from Java were temporarily cancelled by officials to ensure that Javanese protesters did not start troubles on Bali.
Soeharto resigned on 21 May 1998 after 32 years in power, and handed the presidency to Habibie. Habibie soon made a few encouraging moves, such as releasing political prisoners and arranging a democratic election. Abdurahman Wahid was elected as president, but his presidency did not last long, he was replaced by Megawati, daughter of Soekarno. In 2004 Susilo Bambang Yudhoyono was elected as President of Indonesia.
But the darkest moment of Bali was happen in 2002, The 2002 Bali bombing occurred on October 12, 2002 in the tourist district of Kuta on the Indonesian island of Bali. The attack was the deadliest act of terrorisms in the history of Indonesia, killing 202 people, 164 of whom were foreign nationals (including 88 Australians), and 38 Indonesian citizens. A further 209 were injured.
The attack involved the detonation of three bombs: a backpack-mounted device carried by a suicide bomber; a large car bomb, both of which were detonated in or near popular nightclubs in Kuta; and a third much smaller device detonated outside the United States consulate in Denpasar, causing only minor damage.
Various members of Jemaah Islamiyah, a violent Islamist group, were convicted in relation to the bombings, including three individuals who were sentenced to death. Abu Bakar Bashir, the alleged spiritual leader of Jemaah Islamiyah, was found guilty of conspiracy, and sentenced to two and a half years imprisonment. Ridwan Isamuddin, generally known as Hambali and the suspected former operational leader of Jemaah Islamiyah, is in U.S. custody in an undisclosed location, and has not been charged in relation to the bombing or any other crime.
In 2005, another tragedy occurred; three bomb attacks hit three restaurants - two in the Jimbaran beach resort, the third in Kuta 30 km (19 miles) away. The blasts killed 26 people - among them foreign nationals and injured 50 others. Jemaah Islamiyah was responsible for this attack.
Though two tragedies hit Bali, Balinese remain calm and work hard to build up Bali one more time.
by Sidarta Wijaya, 8 November 2007
Thursday, July 23, 2009
Curriculum Vitae
Name : Made Muliana
Nickname : Bayak
Gender : Male
Place/Date of Birth : Gianyar, 27th of June 1980
Nationality : Indonesia
Education
: 1999-2005, ISI Denpasar (Indonesian Institute of Art in Denpasar Bali)
: 1996-1999, SMSRN Denpasar (High School of Art)
: 1993-1996, SMPN No.1 Tampaksiring, Gianyar (Junior High School)
: 1987-1993, SD No.6 Tampaksiring, Gianyar (Elementary School)
Residence : Br. Penaka, Tampaksiring, Gianyar Bali 80552
Address : Br. Sakih, Guwang, Sukawati Gianyar Bali 80582
Mobile phone : +628174763566
E-mail : by_2art@yahoo.com
Website :
http://www.angrysouls.multiply.com
http://damarlangit.blogspot.com
http://www.myspace.com/geekssmile
Selected Group Exhibition
1999
: The Annuals of ISI Denpasar exhibition
2000
: Remittance of 99 exhibition at ISI Denpasar Building.
: East Gianyar Artist exhibition at Balai Budaya Gianyar
: ” rare99” exhibition at Museum Negeri Bali Denpasar
: Nokia Art Award exhibition at National Museum Jakarta
: “Two Culture” Bali-Jogyakarta exhibition at Kuta Centre
2001
: Clean Up Bali” recycle bin exhibition at Radisson Hotel Bali
: “Sesari” first birthday of Kuta News exhibition Denpasar.
: ”Lepas” exhibition at Titik Dua Building Denpasar
: Nokia Art Award 2001 at National Files Museum Jakarta
2002
: “Tentang Manusia” Kamasra STSI exhibition at Art Centre Denpasar
: Outdoor Installation exhibition “Continued Development” International Earth Conference at Nusa Dua beach Bali
: “Retro Figur” exhibition at Sanur Bali
: “Emerging World Now” exhibition at Gaya Fusion of Sense gallery, Sayan Ubud
2003
: Performance Art “Bali For The World” at ISI Denpasar square
: “Watch Out! There’s A Taxu Ceremony” exhibition at Klinik Seni Taxu Art Space Denpasar
: Indonesian Art Festival lll at STKW Surabaya
: “ARTefak” exhibition at Klinik Seni Taxu Art Space Denpasar.
2004
: “Act” Painting and multimedia exhibition at Maximum Rock ’n Roll Monarchy bar Kuta Bali.
: Bale Pare “the making of Art”
: “REMEMORETION” exhibition at Taxu Art Space Denpasar.
: “Cooking and History” exhibition at Cemeti Art House Jogjakarta.
: Indonesian student art works, exhibition at National Gallery Jakarta.
: Mural in Bali, Klinik Seni Taxu present, colaborate with Arie Dyanto (Jogyakarta) Rigo 23 (San Francisco AS) and Pojok Community at Akasia Street, Denpasar.
2005
: Membaca realisme exhibition at Nava Gallery Denpasar.
: Waspada!! Exhibition at CCF (Centre Culture of France) Jakarta.
: “my video” video installation exhibition at Klinik Seni Taxu Denpasar
: Taxu Art Clinic Urban/Culture CP International Biennale 2005 at Indonesian Bank Museum Jakarta
: TRANSit group exhibition at Biasa Gallery Seminyak, Kuta Bali.
: Here and Now Klinik Seni Taxu at Jogjakarta Biennale 2005.
: Graduation Exhibition at Munut Gallery Ubud Bali
2007
: Neo-Nation, Jogjakarta Biennale 2007 Exhibition at Taman Budaya Jogjakarta.
2008
: Exhibition BALI ART NOW, Hibridity at Jogja Gallery Jogjakarta
: Online exhibition at Beritaseni.com an oline arts site base in Jogjakarta
2009
: Point to Point, Group exhibition at Elcanna Gallery Jakarta
: Pecha Kucha Night # 2 “Upeti Untuk Macan Asia” visual arts and music presentations at Sanur Village Festival 2009
: Face Book Poetry, performance art at Kuta Carnival Bali 2009
: Thin Lines Between Murders and Pleasure, eclectic sounds performance Art Centre Denpasar Bali (as a opening act an exhibition)
: Violences Culture, sounds performance at T Art gallery Ubud Bali (as a opening act an exhibition)
2010
: Art As a Medium for Change, collaborate with Dr. Kristian Twombly, a multimedia exhibition at Art Café Seminyak Kuta Bali
: Strong Children, Strong Nation exhibition at Sanggar Anak Tangguh, Gianyar, Bali as part of the Children Festival 25 July 2010.
: 20 Nominations Bazaar Art Award at the The Ritz Carlton Pacific Place Jakarta, Indonesia.
: 20 Nominations Bazaar Art Award at Vanessa Art Link Jakarta Indonesia.
: Do it/Du it exhibition at Pozan Biennale 2010 in Polandia.
: ART(sem) Semarang Art Festival 2010 at Semarang City.
: Bali Mural Conspiracy at Bali Creative Festival 2010 at Art Center Denpasar Bali.
: Action Painting at Denpasar Festival 2010 at Catur Muka, Puputan Badung sequare.
2011
: Painting trash bin workshop for kids at Alliance Francaise Denpasar Bali
: Painting Exhibition Upeti Untuk Macan Asia (tribute to Asian Tiger) Geekssmile 2nd album artwork at Serambi Art Antida, Denpasar Bali
Solo exhibition
2008
: Art For Artists Sake, Solo Exhibition at Sika Gallery Ubud Bali
2010
: Art As a Medium for Change, collaborate multimedia exhibition at Art Café Seminyak Kuta Bali.
2011
: Painting Exhibition Upeti Untuk Macan Asia (tribute to Asian Tiger) Geekssmile 2nd album artwork at Serambi Art Antida, Denpasar Bali
Project
: Mural in Bali, Klinik Seni Taxu present, collaborate with Arie Dyanto (Jogyakarta) Rigo 23 (San Francisco AS) and Pojok Community at Akasia Street, Denpasar. 2004.
: Mural With Children at Anak Tangguh Foundation March 2010.
: Reborn Lempad visual art project with Anak Tangguh start April 2010 until current.
Artist in Resident
: Uncensored, artist in residence at ruang rupa, artist initiative art space Jakarta
: Art Forward, Artist in Residence at Sanggar Luhur Sudjana Kerton, Bandung Indonesia.
Performance Art
: Bali For The Suckers at ISI Denpasar Bali
: New Born For New World at Klinik Seni Taxu Denpasar
: Eclectic Music performance at Sika Gallery Ubud Bali 2008
: Face Book Poetry performance art at Kuta Carnival Bali 2009
: Thin Lines Between Murders and Pleasure, eclectic sounds performance Art Centre Denpasar Bali (as a opening act an exhibition)
: Violences Culture, poetry and sounds performance at T Art Gallery Ubud Bali (as a opening act an exhibition)
Award
2000
: Finalist of nokia art award 2000
: DEPARSENIBUD (Local Government of Bali) award in panting contest.
2001
: Finalist of nokia art award 2001
2010
:20 Nominations Bazaar Art Award
Activity
: 2001 until 2004 form and as a public relation at Klinik Seni Taxu, Artist Initiative Art Space in Denpasar Bali (non profitable art organization).
: 2001 Organize regular exhibition and public library at Klinik Seni Taxu Art Space and Gallery.
: 2003 until 2005 Active writing in Taxu art bulletin “KITSCH”
: April 2006 resign from Klinik Seni Taxu.
: As a Freelance writer at Suardi Art Magazine.
: Write campaign “Tattoo Is No A Crime” at Suardi art magazine.
: current As a Guitarist of SIMULACRA and GEEKSSMILE local indie band.
: current As a visual art companion teacher in Anak Tangguh Foundation.
Collections of
Sound Boy Dodix. DJ and manager of Superman Is Dead punk rock band from Bali.
Mrs. Aylin Kanginnadhi owner of Art Cafe Seminyak Bali
Rebekah Moore. US music research and writer live in Bali.
Mr. Agung Alit from Mitra Bali.
JRX. drummer of Superman Is Dead punk rock band from Bali.
Ketut Sudiarsa from Sourcing Indonesia.
Apriadi Ujiarso a cultural writer and research.
Monday, July 20, 2009
Human Immunodeficienncy Virus
150c100cm, acrylic on canvas, 2009This is a painted series from the HIV virus image, I already repainted it from the original image that I get it from a site.
I made color drip, repositioned of it, etc as a visual art rules, so the virus image no longer as a virus but become a "visual aesthetic".
Tuesday, July 14, 2009
National Revolt
@50cmx30cm, Drum Tom and acrylic on canvas, 2007what ever the condition and situation In my country Indonesia I proud to be part of it and must be all of Indonesians feel the same.
using the The Zapatista Army of National Liberation icon a very popular revolutionaries icon to express the "revolt" in the way they struggle against domination. Here in our land, to made this country respected, every peoples must struggling against their self, our ignorance, our apathetic, etc.
than I use drum part because I use music as a"weapon" same like visual art, what I've think are if we use our talent as a "weapon" as a visual artists, poetry, scientist, musician etc to be a social, politic and culture criticism hopefully our country will be decorous.
Teantang Kemapanan
50x50x40cm, mixed media sculpture 2008Tentang Kemapanan (about well established) is a self criticism to the "establish syndrome" that really gonna make our creativity get stuck, so it guaranteed as an artists if already establish and don't find away to manage it their works created are not more than just repeating a "rubish"
The Sounds of Penggorengan
variable size kinetic installation, 2008I made this art to expressing ideas about art world situation known as "goreng-mengoreng karya seni rupa" (the "unhealthy" art market system) lot of art dealers, art lovers, brokers etc try to invest in art specialy on paintings just for profit oriented. In this case I don't reject that system, because all the artists need buyers or collectors to their art works but at some other point the system must be correct and create a good infrastructure to our art world.
Amarahmu Adalah Anugrah
mixed media portable size installation, 2008is about how to "appreciate" you anger as a gift and "use" it as the way of doing what you like, for me, how the visual art and underground music can be a funnel of the anger it self.
A.I.V
100x100cm, acrylic on canvas, 2006
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