Tuesday, April 27, 2010

Suara Penggorengan, Mengais Jelaga Seni Rupa Kontemporer

Variable Size, Mixed Media Sound Installation 2010


Contemporary art, a form of whatever creature it? Should we become a contemporary artist? Or are we really contemporary? art for some artists would still lay or dizziness headache even with this term especially to introduce to the public or the wider community. For most of the people of Bali's Visual art or paintings is an art that sell at art shops, at the art market or traditional painting with many different styles and of course that gives some people in certain areas of economic benefit, into work of art (painting) to order or sell the work of paintings in private-to keep the kitchen still steaming, they tend indifferent and unconcerned with the development of artistic discourse.

This work wants to look at the same time talking about the noisy roar like a whirlwind Indonesian art market the last two years where Realism is a visual art development of China passed the point of almost every artist barometer of Indonesia, a discourse that was almost (to say no) without a duel without appeal of our art infrastructure, all same with a servant paw to simply get the splash soot blessing art boom realistic without heavy themes, without seeing and reflecting sosiocultura phenomena surrounding, art that seem apathetic and extremely arrogant, pragmatic, practical depends on the high walls and sectional wall named gallery and the private room, with soaring prices incomparable to the price of death for a value of artwork. In fact almost all the art infrastructure and those who dare call themselves mapper, observers, or whatever his name in the universe is actually part of art to wallow in a vicious cycle that capitalistic art market with a walled pile of misleading quotes recently, a guide book as thick as hair on her pubic hair virgin and arguments justifying speech es.be.ye defensive style that all the actions he and his followers are true.


The Sounds Of frying pan into visual form the beginning of my babbling will be the situation of art today and be one of the work had been exhibited at my first solo exhibition, and this time I developed the idea, hoping for a target shooting a much more targeted than just a piece of goods "useless" in a corner of the studio. By using various media, such as finding items, so items from the factory / store, former toys part, wood, metal and electronic circuits that produce sounds, I wish I could hit with more context to be criticized.


I treat art as a "weapon" he directed as much as possible will aim to dissect every issue even within his own problems, the generic art that is similar to the capital markets, buy ... buy ... buy ... and buy as a way to work only to be sold and purchased and such as the offerings in front of bosses, was like fried, crunchy which can only be consumed on the spot, because if it is left for tomorrow will be felt tasteless too oily. His voice was too noisy like an empty barrel, deafening and not educate at all. Cheers


Note: This art work I applied for the Indonesian Art Award 2010 but I think the jurors won't be let it as one of the nomination, I think they are feel this work will slap directly on their face or kick their ass? we'll see.






SLIDE SHOW

SENI ADALAH SENJATA

Painting No 3, Camouflage Series

Painting No 3, Camouflage Series
Army,Kebaya Cloth, Fake Butterfly and Acrylic on Hardboard

THE SOUNDS OF PENGGORENGAN. 2008

A Tales From Island of Gods

a tales from island of god